HORROR!

MOLOCH!

Rocktober Day 3 brings you His Satanic Majesty...MOLOCH!

I seriously had NO idea this existed. Much thanks to Bwana for his awesome Rocktober suggestion to include Donny Most's horrifically metal appearance on CHiPs!

There's so much awesomeness in this clip, it boggles my mind! Here's a few of my favorite things...feel free to share your own...

1. Officer Kathy Linahan's (Tina Gayle) voice.

2. Everyone in the crowd...especially the old rocker dude.

3. The mustachioed, shirtless, Peter Criss-ish drummer.

If you've seen Pan's Labyrinth (and if you haven't, you REALLY should) or perhaps the new Hellboy, than you've seen  Grzegorz Jonkajtys' work. It's instantly recognizable. All those weird creatures? They're his.

He's made some short films too, and they're pretty damn awesome.

This is ARK:

(for the HD version, go here)

"An unknown virus has destroyed almost the entire human population. The only remaining survivors escape to the sea. In great ships, they set off in search of uninhabited land. So begins the exodus, led by one man..."

Moloch: a Hebrew demon, made of iron, who feeds off of human sacrifices

Cool stuff, no?

Here at the Moloch Valley Daily Beagle we're journalists first and pawns of a corporate conglomerate second. We have integrity, I know because I've been selling it for months now. You can trust and believe what you see in The Beagle because we only omit the facts that don't make the grade. Most of these inferior facts fall by the wayside because you, our reader, wouldn't buy them. Not that you wouldn't believe them, but because you wouldn't pay for them, you cheapskates.

Around here kids, we have Facts For Sale. Facts you feel good about buying. Good facts. Wholesome facts. Facts that make Sarah Palin seem less a gun-toting trailer park nutjob and more, well...presidential. These are the facts you want and because you want them, we'll sell 'em to ya. Unless you live in Sectors D, H or G, in which case we could care less. Research shows you folks can't afford the news. Get a better job and an intertube connection and we'll sell you our Funline version. It's like a paper only it isn't really. Don't worry, you'll like it, you have no choice.

One thing I've noticed lately is some renegade websites popping up out there pretending to give you the "news," sometimes hours and hours before we're prepared to sell it to you. Be warned, these are not "Safe Facts." They are obviously inferior facts because these "partysans" don't charge you for them. It should be apparent these so called "reports" have no value because, dummy, they have no value! They're free, fer cryin' out loud. What kind of fact is that? I wouldn't buy it. You shouldn't either.

Another thing about these "partysans" — they're fibbers. I've heard them fib. They think I'm stupid but I'm not. That's a fib. They're fibbers and they fib right out in the open. At least my fibbing is confined to my orifice, I mean, office. But these fibbers don't like me so they make up fibs about me. They claim The Beagle isn't as good today as it was in yesteryear. I say, Poppycock! Our margins are holding steady and we are a VERY attractive property for anybody out there in the market for a Beagle. Do you think it's easy churning out digestible facts for our paying customers? Thank God (with a capital G) for our Funline version! We had over a trillion gazillion bo-billionty alien visitors to Moloch.com yesterday. Two or three were actually from Moloch...the rest were the result of paying spiders and gobots to land in The Valley of the Unconcerned. But don't tell our common-taters, they might string you up. For some reason, all of our common-taters want to string you up, lock you up and throw away the key or save the taxpayers by shooting you dead. I fervently hope I don't run into any of our common-taters...they're pissed about something. But, at least they're paid up through the end of the week! Bless their pointed little heads.

„Scrapbooking“ ist ein Begriff und ein Hobby, das aus den USA langsam auch bei uns bekannt wird. Fotoalben werden mit anderen Bildern und Materialien eindrucksvoll arangiert und präsentiert. Was früher geschnitten, geklebt und geheftet wurde, ist jetzt auch digital umsetzbar. Nicht nur mit Fotos, sondern auch mit Videos.

Mein Tokyo-Reisetagebuch ist ein Beispiel dafür, wie modernes Video-Scrapbooking aussehen kann. Japanisches Papier wurde als Hintergrund für Kapitelüberschriften und für Rahmen benutzt. Sogar eine Broschüre fliegt einmal durch das Bild. Sehen Sie in den folgenden Tutorialvideo, wie man Chroma-Keying benutzt, um Videos durch Hintergrundbilder hindurchscheinen zu lassen.

Kommentare, Fragen, Anregungen - oder eigene spannende Videos aus fremden Ländern? Ich freue mich auf Ihre Kommentare!

The first beast or the Man of Sin is Julius Caesar. And the False Prophet is the synagogue of satan, who is Constantine and Roman Catholicism who made his anti-Jew calendar reforms and who introduced this star. The false prophet is shown in Revelation 19:20 And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone.

The False Prophet first appears in Revelation 13 called "another beast":

This False Prophet, also described in Revelation 13, through financial power deceives everyone to receive the mark of the beast and to worship his image:

Revelation 13:17 And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name. 18 Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six.

THE NAME OF THE BEAST

The name of the beast can be discovered by the number of his name. This number is the number of a man. First of all, from the Scripture above, Revelation 13:18, if we have wisdom, we can find out who this man is. But who has more wisdom than Solomon? Revelation 13:18 is telling SOLOMON to find out who the man is! Let him that hath understanding (SOLOMON) count the number of the beast: for it is the number of a man;

Which man was associated with SOLOMON, who used the number 666? The king of Tyrus is the only one!

1 Kings 9:11 (Now Hiram the king of Tyre had furnished Solomon with cedar trees and fir trees, and with gold, according to all his desire,) that then king Solomon gave Hiram twenty cities in the land of Galilee.

1 Kings 10:11 And the navy also of Hiram, that brought gold from Ophir, brought in from Ophir great plenty of almug trees, and precious stones. VERSE 14 Now the weight of gold that came to Solomon in one year was six hundred threescore and six talents of gold,

He brought 666 talents of Gold talents of gold to Solomon each year, according to his desire. But the king of Tyrus was not pleased with Solomon (1 Kings 9:12). And because the king of Tyrus gave Solomon his desire in gold, he was given power to tempt Solomon. Then Satan entered the King of Tyrus, and he became the anointed cherub which fell:

Ezekiel 28:12 Son of man, take up a lamentation upon the king of Tyrus, and say unto him, Thus saith the Lord GOD; Thou sealest up the sum, full of wisdom, and perfect in beauty. 13 Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. 14 Thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the midst of the stones of fire. 15 Thou wast perfect in thy ways from the day that thou wast created, till iniquity was found in thee. 16 By the multitude of thy merchandise they have filled the midst of thee with violence, and thou hast sinned: therefore I will cast thee as profane out of the mountain of God: and I will destroy thee, O covering cherub, from the midst of the stones of fire. 17 Thine heart was lifted up because of thy beauty, thou hast corrupted thy wisdom by reason of thy brightness: I will cast thee to the ground, I will lay thee before kings, that they may behold thee. 18 Thou hast defiled thy sanctuaries by the multitude of thine iniquities, by the iniquity of thy traffic; therefore will I bring forth a fire from the midst of thee, it shall devour thee, and I will bring thee to ashes upon the earth in the sight of all them that behold thee. 19 All they that know thee among the people shall be astonished at thee: thou shalt be a terror, and never shalt thou be any more.

Shortly after King Solomon's encounter with the King of Tyrus, Solomon turned away from God through his EGYPTIAN wife, the daughter of Pharaoh. Thus the King of Tyrus became the Beast, the Man of Sin or Satan. Therefore the name of the beast is O COVERING CHERUB.

1 Kings 11:1 But king Solomon loved many strange women, together with the daughter of Pharaoh, women of the Moabites, Ammonites, Edomites, Zidonians, and Hittites: 2 Of the nations concerning which the LORD said unto the children of Israel, Ye shall not go in to them, neither shall they come in unto you: for surely they will turn away your heart after their gods: Solomon clave unto these in love. 3 And he had seven hundred wives, princesses, and three hundred concubines: and his wives turned away his heart. 4 For it came to pass, when Solomon was old, that his wives turned away his heart after other gods: and his heart was not perfect with the LORD his God, as was the heart of David his father. 5 For Solomon went after Ashtoreth the goddess of the Zidonians, and after Milcom the abomination of the Ammonites.

What did Solomon do? He went after Ashtoreth, which could have been a six-pointed star. Was it really a star? Where from?

Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images, the star of your god, which ye made to yourselves.

Acts 7:43 Yea, ye took up the tabernacle of Moloch, and the star of your god Remphan, figures which ye made to worship them: and I will carry you away beyond Babylon.

So it WAS a star which first came from Egypt (Remphan) when Solomon took the daughter of Pharoah to wife. But was it a six-pointed star? 

Julius Caesar adopted the Egyptian calendar from the Egyptian magician Sosigenes, and began to follow Ashtoreth by celebrating astrological charts, birth stars, birthdays, and so on. A six-pointed star is the OCCULT symbol for Saturn, and eventually Saturn-day, the six-pointed star (Saturday) replaced the Jewish Sabbath. So this six-pointed star REPLACED the Jew, and is the mark of the beast.

We need to escape from where this mark of the beast reveals itself. A six-pointed star now appears on the Israel flag, because the state of Israel is in the abomination of the beast. But the truth is that Israel and the Jews ARE INNOCENT. They have actually been FRAMED with this star on their flag. They did not chose this flag, but ended up with this flag by FORCE. Just as Hitler FORCED the Jews to wear this same star during the second world war. SO, THE SPIRIT OF THE FALSE PROPHET, which this star represents, WAS WORKING WITH HITLER.

BIBLE OF FALSE PROPHET

We must be happy who have the word of God, to know that this is really the word of God (the King James Bible only). The other bibles subtly change the very Scriptures I have mentioned on the beast. Look at them in other bibles, and you will notice, that the conspiracy of this man of sin, has managed to infiltrate into the inner sanctuary of the church.

Let us first look at the Revised Standard Version (RSV), which is copyright owned by the National Council of Churches of America:

RSV Ezekiel 28:14 With an anointed guardian cherub I placed you; you were on the holy mountain of God; in the midst of the stones of fire you walked.

This does not identify the king of Tyrus as THE ANOINTED CHERUB THAT COVERETH. Here, he is merely PLACED WITH an anointed guardian cherub

RSV Ezekiel 28:16 In the abundance of your trade you were filled with violence, and you sinned; so I cast you as a profane thing from the mountain of God, and the guardian cherub drove you out from the midst of the stones of fire.

Again, the king of Tyrus is not identified as THE COVERING CHERUB. Instead, he is driven out by a guardian cherub. They deny that the Man of Sin is the Covering Cherub.

RSV Amos 5:26 You shall take up Sakkuth your king, and Kaiwan your star-god, your images, which you made for yourselves;

This does not identify the image itself, which is actually a STAR. The correct reading is THE STAR OF YOUR GOD. Secondly, it is TELLING SOMEONE to take it up, not condemning the practice.

RSV Revelation 2:9 I know your tribulation and your poverty (but you are rich) and the slander of those who say that they are Jews and are not, but are a synagogue of Satan.

Should be the definite article THE synagogue of satan (who is THE False Prophet).

RSV Revelation 13:18 This calls for wisdom: let him who has understanding reckon the number of the beast, for it is a human number, its number is six hundred and sixty-six.

This does not say IT IS THE NUMBER OF A MAN. So, it does not identify a man (the king of Tyrus who is O COVERING CHERUB), but calls it a human number

THE FINAL UPSTART - Revelation 14:1       
King James Version - And I looked, and, lo, a Lamb stood on the mount Sion, and with him an hundred forty and four thousand, having his Father's name written in their foreheads.

Revised Standard Version - ... HIS NAME AND his Father's name written on their foreheads.

 The mark of the beast AND the Father's mark TOGETHER!

All the other modern versions of the bible like the RSV do a similar thing, including the NEW King James Version. But where do all these modern versions of the bible come from?

I have recently finished reading Watchmen, and I love it. You will change your sexual preference for this novel, seriously. FUCKING READ IT!

You can read it at this site for free, starting from novel one:
http://www.mahshelf.com/book/ukuaEmEoal

I must admit, there were some campy parts, but I kept reminding myself that THIS is the book that KILLED campy comics! One must be willing to forget the past two decades, considering how many other pieces of pop culture ripped off elements from THIS. It makes me think that the world isn't ready for a Watchmen movie.

Sacrifices to idols and to Molech are an effort for man to please god by giving him a thing most valuable.  Our most valuable offerings cannot appease God.  Only a perfect sacrifice could satisfy the requirement that remission must come by the shedding of blood.  Only God Himself was good enough. 

God, even more than life, is the highest priority.  Faith in Him is more important than anyone’s life, and disobedience is not justified even in a situation where a life is at stake. 

The child sacrifices to Molech had more to do with bartering with god than with repentance for sins or faith.  Abraham, in contrast, was the patriarch of faith, and the Bible implicitly says that the command to sacrifice Isaac was about Abraham’s faith (interesting since Isaac was old enough to have resisted Abraham, but he didn’t). 

Abraham’s faith was tested when God asked Him to sacrifice Isaac.  But what does child sacrifice really have to do with faith? 

Hebrews 11 explains why he got so much credit for his faith in the story of sacrificing Isaac:

Hebrews 11:17-19, "By faith Abraham, when he was tried, offered up Isaac: and he that had received the promises offered up his only begotten son,  Of whom it was said, That in Isaac shall thy seed be called:  Accounting that God was able to raise him up, even from the dead; from whence also he received him in a figure."

Abraham believed God would make his son live, no matter what.  God also knew when Jesus gave His life that there would be a resurrection.  Jesus knew about it, and told His disciples to expect Him to come back on the third day. 

Even if Abraham just believed Isaac would not stay dead, we might think that he was self-deluded and irrationally hopeful rather than a man of great faith, unless God gave Abraham a strong reason to believe this.  Did He? 

Abraham had some difficulties believing God’s plan for him.  Years into the covenant and promises, Abraham and Sarah still hadn’t born any children.  So Abraham tried things his own way, siring Ishmael through Hagar, his wife’s slavewoman.  God made it quite clear that He had promised a son through Sarah, and that Ishmael was not the heir. 

Then Abraham believed God, but Sarah doubted until she conceived Isaac.  God reiterated that the promise to make Abraham many nations, to bless the world through his Seed, (the Covenant) was through Isaac:

Genesis 17:15-16, 19, "And God said unto Abraham, As for Sarai thy wife, thou shalt not call her name Sarai, but Sarah shall her name be. And I will bless her, and give thee a son also of her: yea, I will bless her, and she shall be a mother of nations; kings of people shall be of her. And God said, Sarah thy wife shall bear thee a son indeed; and thou shalt call his name Isaac: and I will establish my covenant with him for an everlasting covenant, and with his seed after him."

They gave birth to a son.  So Abraham had learned his lesson about doubts.  He knew that either God would intervene, or God would raise Isaac back to life. 

Abraham knew that God’s command (to sacrifice Isaac) could not supercede God’s promise (to make Isaac into many nations).  This point is made in Galatians:

Galatians 3:17, "And this I say, that the covenant, that was confirmed before of God in Christ, the law, which was four hundred and thirty years after, cannot disannul, that it should make the promise of none effect." 

The just always lived by faith. 

In Abraham’s willingness to sacrifice his son, I see a vivid example of God’s plan for salvation depicted in the story of the Sacrifice of Isaac. 

• The promise was from God, and He would keep it. 
• The son was miraculously given by God. 
• The command was God’s. 
• The faith was in God. 
• And the substitute sacrifice was God’s. 

To God be all glory,

Lisa of Longbourn

From wikipedia:

Every year the club hosts an annual three week camp at Bohemian Grove, which is notable for its illustrious guest list and its eclectic Cremation of Care ceremony involving human sacrifice imagery at the feet of a forty-foot stone owl. In addition to that ritual, there are also two outdoor performances, often with elaborate set design and orchestral accompaniment. The more elaborate of the two is called the High Jinx, the less elaborate and expensive of the two is the Low Jinx. More often than not, the productions are original creations of the "Talent" members, and the stage crew is composed of the regular members; corporate CEOs, bank presidents, politicians, etc. The club's motto, "Weaving Spiders Come Not Here", is featured in the club's logo, around a stern-looking owl.

1915 Cremation of Care Ceremony [pic]

Who are the members of this club?

From Sonoma County Free Press:

The membership list has included every Republican U.S. president (as well as some Democrats) since 1923, many cabinet officials, and directors & CEO's of large corporations, including major financial institutions.

Members & frequent guests of the most prestigious camp (Mandalay) include: Henry Kissinger, George Shultz, S. D. Bechtel, Jr., Thomas Watson Jr. (IBM), Phillip Hawley (B of A), William Casey (CIA). and Ralph Bailey (Dupont). George [H.W.] Bush resides in a less prestigious camp (Hillbillies) with A. W. Clausen (World Bank), Walter Cronkite, and William F. Buckley.

You can download the 2008 guest list, with thanks to the folks from truthaction.org.

Alex Jones, a radio talk show host from Austin, Texas, sneaked into the Grove a few years back with a hidden camera. Watch the footage below, or watch his full-length documentary on the subject, Dark Secrets Inside Bohemian Grove.

What does this all mean? That is for you to decide. What does it mean that many of the people making policy decisions which control your lives are meeting in secret, belong to a secret club (actually many of these exist, see my article on this year's Bilderberg Club), and there is a complete media blackout? What does it mean when many of your supposedly Christian leaders are running around naked in the woods, performing mock sacrifices of human children to their owl god, and being serviced by male prostitutes? What does this mean to you, to your view of the world? I am not even Christian, but this concerns me dearly. Your leaders perform Satanic, demonic rituals all the time. It is time to wake up.

Edit (September 15, 2008): A copy of the 2008 Bohemian Grove Booklet has surfaced.

Ein paar naturalistische Hardliner verneinen, dass es ein allgemeingültiges Fundament der Moral gibt und sagen, dass die Moral einzig und allein von und für eine Gesellschaft geprägt wird, in der Menschen zusammen leben. Da die Kanaaniter das Kindesopfer als moralisch korrekt angesehen haben, könnten wir keine Wertung darüber abgeben. Es war eben eine andere Gesellschaft mit anderen Moralvorstellungen. Genau genommen könnten wir dann auch Hitler nicht mehr für seine Taten verurteilen. Wir können ja nicht sagen, dass er willkürlich gehandelt hätte. Im Gegenteil, er hat sehr penibel seine eigenen Vorstellungen von Moral durchgesetzt.
Mit dieser Sichtweise löst man sämtliche Maßstäbe der Moral auf. Was ist "gute Moral", was ist "schlechte Moral"? Man kann sich auch nicht mehr rechtfertigen, dass die eigenen Moralvorstellungen höherwertig sind, als andere. Trotzdem sagt das so kein Mensch. Alle haben einen Maßstab für Moral. Das ist auch gut so, aber von unseren extremen Naturalisten eben inkonsequent.

Ich denke, die Menschheit wird immer damit beschäftigt sein, einen Maßstab der Moral zu schaffen, der überall und allezeit gültig sein soll. Die UN-Menschenrechtscharta ist so ein Versuch. Ist das eine gute Grundlage? Oder fangen wir doch wieder damit an, alles zu relativieren? Sollen die Menschenrechte "heilig" sein, oder sollen wir doch wieder daran rumschrauben und rumdrehen, wie es uns passt? Und wo soll die Grenze sein?
Angenommen, Hitler hätte sich mit seinen Moralvorstellungen durchgesetzt. Hätten wir diese dann übernommen?

Für mich unvorstellbar. Denn für mich hat Moral einen Ursprung, der außerhalb unserer Gesellschaft liegt und ich glaube daran, dass es eine "perfekte Moral" gibt, die unabhängig von der jeweiligen Gesellschaft ist. Ich denke nämlich, dass Moral nicht das ist, was wir Menschen als "richtiges Handeln" ansehen, sondern das, was Gott als richtig ansieht. Damit ist für uns noch lange nicht geklärt, was moralisches Handeln konkret bedeutet.
Aber weiterhin glaube ich, dass diese göttliche Moralvorstellung uns in dem Leben von Jesus Christus in einer einzigartigen Weise offenbart worden ist. Dass der Stärkere zugunsten des Schwächeren auf seine Macht verzichtet, dass der Schwächere sein Leid erduldet, usw. Jesus Christus hat moralisch perfekt gelebt und das überzeugt mich, dass in Christus wirklich Gottes Wille in Reinform zum Ausdruck kommt. Zur damaligen Zeit müssen die Vorstellungen von Jesus noch viel revolutionärer gewirkt haben wie heute. Und trotzdem haben sie damals wie heute viele Menschen überzeugt.
Ich kann und möchte niemand zwingen, seine Moralvorstellungen am Leben Jesu auszurichten. Aber ich selbst möchte mich daran orientieren und so für Jesu Nachfolge werben.

La macchina  da presa e’ fissa sui resti di una grande stazione di benzina e mentre lo spettatore inorridisce di fronte all’ennesimo sfregio  inferto alla terra campana, da un tombino esce un uomo. ll campo e’ lungo e all’inizio  non si capisce neppure da dove arrivi la voce che chiama un altro personaggio che sbuca da un tombino adiacente. 

Basterebbe ragionare su questa scena geniale per capire che cos’e’ Gomorra, il film: lo scempio dell’ambiente, urbano o naturale che sia, sfregiato in una maniera che disturba e stupisce anche se al deturpamento  del paesaggio siamo ormai tutti abituati ed anche chi il libro lo ha letto, vede con i propri occhi quell’orrore cosi’ ben descritto ma a cui la fantasia forse non osava  arrivare; del  resto il film e’ un viaggio dentro un mondo altro  da quanto sia possibile immaginare, cosi’ alieno che i malavitosi sembrano piovuti dal cielo nelle loro capsule abbronzanti mentre chi si crede una persona degna di stima ci sbuca come un topo dal tombino di una fogna come succede appunto  al personaggio di Servillo nella magnifica scena surreale che lo introduce, splendida metafora delle connivenze mordiefuggi di chi con il sistema ci fa gli affari (l’imprenditore che deve smaltire, la ditta di altamoda che deve produrre)

Ma quello che Gomorra racconta non e’ un mondo fantastico ne’ surreale, quindi quale miglior linguaggio che quello neorealista per avvincere lo spettatore alla realta’ a cui sta assistendo? La scelta di far recitare quasi tutto il film in dialetto stretto e sottotitolarlo richiama La terra trema e il film di Visconti, con il suo famoso piano sequenza che segue il ragazzino per illustrare il mercato del pescemi e’ tornato in mente ogni volta che  la macchina da presa seguiva Toto’ nei suoi giri di consegna all’interno delle Vele di Scampia e intanto rubava gli scorci di questo formicaio incredibile e come non vedere nella tragica desolazione del paesaggio offeso la stessa valenza morale delle macerie di Berlino in Germania anno zero?

Ha parlato molto del paesaggio, innegabile protagonista del film ma c’e’ un altro elemento che mi ha colpito molto, il suono: il fruscio delle banconote, lo scalpiccio dei piedi.. un continuo rumore di fondo dell’eterno divorare soldi, persone da parte di questo orrido Moloch che nella sua natura primordiale si quieta solo per qualche secondo  solo davanti alla morte, all’improvviso scoppio degli spari.

La faction des déshumaniseurs apparait elle aussi au début de l'antiquité en mésopotamie (culte d' Ur), dans les royaumes sémites (culte de baal , moloch). Ils se vantent d'être responsable de la grande peste noire du moyen age, leur influence décroit grandement lors de la renaissance pour quasiment disparaitre au 18eme siècle. Leur retour est favorisé par l'industrialisation , au 20eme siècle ils sont présent dans tout les conflits se faisant particulièrement ressentir en Allemagne, au Cambodge, puis vers la fin du siècle en Afrique.Leur influence est maintenant mondiale et grandissante.

Vers la fin de l'antiquité apparaissent ceux qui donneront son nom au culte au culte, les négateurs leur première traces datent de Rome et de l'unification de la Chine . Ils sont responsable de la confidentialité du culte depuis lors, leur culte du secret les rends invisible au reste de l'histoire, bien que l'on puisse les rendre responsable de la colonisation; une rumeur voudrais qu'ils aient aujourd'hui achevé leur but ultime (merci la mondialisation).

Au début du moyen age apparait la faction des fratricides qui naquit de la scission de la chambre gauche des déicides: les fratricides ayant annihilé le concept de dieu de leur mode de pensée, leur travaille consista depuis à créer de nouveaux courants de pensées et à les banaliser : on leur doit la philosophie du doute, quelques subtiles modifications dans les textes des grandes religions (qui sont depuis en guerres quasi constantes), le capitalisme, la théorie du chaos... Les fratricides sont les penseurs du culte de nos jours ils sont surtout présent sur internet (qu'ils ont créé) leur but premier étant de noyer toute information indésirable par un flot d'informations insipides c'est à ce but qu'ils ont créés ce que certains appellent la blogosphère .

De nombreuses autres factions se sont créées au fil des années , mais leur travaille consistant plus à gérer l'organisation du culte à celle de notre planète , nous en parlerons dans un prochain article.

à suivre: les règles du cultes ...

Image Tower of Creation

I've already talked about Fallout: Between Good and Evil, a Fallout 2 total conversion made by the Czech modding group Tower of Creation. For those that missed it here's what they have been up to:

Fallout: Between Good & Evil is a freely distributed modification using Fallout 2 engine.

The mod is being developed since 2005 and it aims to offer experience which Bethesda's Fallout 3 can't or doesn't want to provide: prequel of events on the West Coast of US, very complex dialogues / quests and turn-based combat in 2D isometric view. Currently, more than twenty people actively prepare the game with the release date Christmas 2009. Our work should bring you back memories of Fallout, Fallout 2 PC games and will have many references to Van Buren and the Cold War.

Now my friend Jesterka sent news that they have a new update on their site, with some cool art. Must see stuff.

The entire budget.

Our kids are being set adrift in a dying programme.

"Hey, aber wir haben doch jetzt den Stoiber als Bürokratiebekämpfer dort sitzen, jetzt wird alles wieder gut!"

Nur warum beruhigt mich das nicht?! :-)

The following text is a transcript of the Cremation of Care as videotaped by Alex Jones at Bohemian Grove, July 15, 2000:

The Owl is in His leafy temple
Let all within the grove be reverent before Him
Lift up your heads, oh ye trees
And be lifted up ye everlasting spires
For behold! Here is bohemia's shrine
And holy are the pillars of this house

(Sound of a bell)

Weaving spiders come not here!

(Sound of a bell)

Hail, Bohemians!
With the ripple of waters
The song of birds
Such music as inspires the sinking soul
Do we invite you into Midsummer's joy
The sky above is blue and sown with stars
The forest floor is heaped with fragrant grit
The evening's cool kiss is yours
The campfire's glow
The birth of rosy fingered dawn
Shake off your sorrows with the city's dust
And cast to the winds the cares of life
But memories bring back the well-loved names of gallant friends
Who knew and loved this grove
Dear boom companions of a long ago
Aye, let them join us in this ritual!
And not a piece be empty in our midst
All of these battles to hold
In this gray autumn of the world
Or in the springtime of your heart
Attend our tale
Gather ye forest folks!
And cast your spells over these mortals
Touch their world-blind eyes with carrion

Open their eyes to fancy
Follow the memories of yesterday
And seal the gates of sorrow
It is a dream
And yet, not all a dream
Dull Care in all of his works
Harbored it
As vanished Babylon and goodly Tyre
So shall they also vanish
But the wilding rose blows on the broken battlements of Tyre
And moss rends the stones of Babylon
For beauty is eternal
And we bow to beauty everlasting
For lasting happiness we turn our eyes to one alone,
And she surrounds you now
Great nature, refuge of the weary heart,
And only balm to breasts that have been bruised
She hath cool hands for every fevered brow
And gentlest silence for the troubled soul
Her councils are most wise
She healeth well
Having such ministries as calm and sleep
She is ever faithful
Other friends may fail
But seek ye her in any quiet place
Smiling, she will rise and give to you her kiss
So must ye come as children
Little children that believe do not ever doubt her beauty or her faith
Nor deem her tenderness can change or die

(Music)

Bohemians and priests!
The desperate call of heavy hearts is answered
By the power of your fellowship, Dull Care is slain
His body has been brought yonder to our funeral pyre
To the joyous piping of a funeral march;
Our funeral pyre awaits the corpse of Care

(Music as a small boat across a lake containing the effigy of Care, received by dark hooded individuals )

O thou, thus ferried across the shadowy tide
In all the ancient majesty of death
Dull Care, ardent enemy of beauty
Not for thee the forgiveness or the restful grave
Fire shall have its will of thee
And all the winds make merry with thy dust
Bring fire!

(Music)

[Laughter]

Fools!
Fools!
Fools!
When will ye learn
That me ye cannot slay?
Year after year ye burn me in this grove
Lifting your puny shouts of triumph to the stars
When again ye turn your faces to the marketplace
Do you not find me waiting as of old?
Fools!
Fools!
Fools to dream you conquer care

Ye shall burn me once again!
Not with these flames!
Which hither ye have brought
From regions where I reign
Ye fools and priests
I spit upon your fire!

(Fireworks)

O Owl! Prince of all mortal wisdom
Owl of Bohemia, we beseech thee
Grant us thy council

(Following verse sung with music)

No fire…
No fire…
No fire…
Unless it be kindled in the world
Where care is nourished
On the hates of men
And drive Him from this grove
One flame alone must light this fire
One flame alone must light this fire
A pure, eternal flame
A pure, eternal flame
At last, within the lamp of Fellowship
Upon the altar of Bohemia

O Great Owl of Bohemia!
We thank thee for thy adjuration
Begone detested care!
Begone!
Once more, we banish thee!
Begone Dull Care!
Fire should have its will of thee!
Begone Dull Care!
And all the winds make merry with thy dust
Hail, fellowship's eternal flame!
Once again Midsummer sets us free!

(Screams as the effigy is set on fire)

La massa ha da sempre creato grosse divisioni in seno agli artisti. Chi l’ha avversata, chi ha cercato di cavalcarla per guidare delle rivolte sociali.

Ma tutti, e dico chiaramente tutti, hanno dovuto rielaborare la propria posizione di “artisti” in base a questa entità nuova, questo tutt’uno irrazionale ed emotivo, passato improvvisamente al centro di una storia che aveva visto protagonisti, fino a poco prima, solo re, battaglie e cavalieri.

Oggi il concetto di massa è cambiato, ma sopravvive con incredibile forza l’immagine grigia della folla: penso alle masse di pendolari che si spostano da una città all’altra senza alzare lo sguardo, con le orecchie tappate dalle cuffie per non sentire i rumori esterni, per rimanere chiusi in se stessi in mezzo a mille altre persone.

Si tratta di un isolamento sociale volontario, una difesa nei confronti della massa, così terribilmente potente? Oppure godere della “propria” compagnia -delle proprie canzoni- ci fa sentire meno soli rispetto ad una folla riunita non dagli stessi ideali, ma dal bisogno di spostarsi.

La via assordante attorno a me urlava. […]
Una donna passò […]
Un lampo…poi la notte!- Fuggitiva bellezza
Il cui sguardo in un attimo mi ha resuscitato
Ti rivedrò soltanto nell’eternità?

Lontano, chissà dove! Troppo tardi! Forse mai più!

Baudelaire, A un passante

In una vita di comunità ristretta, ciascuno conosce tutti, ha tempo per impostare i rapporti e per modificarli. Ma nella vita moderna no. Nel caos caotico della folla l’esperienza è subito consumata. Il tempo stesso sembra annullarsi nella vita cittadina e nel suo folle correre.

E l’istinto di autodifesa porta con non curanza le cuffie alle orecchie.

Info
TILT008 delivers another solid Neurofunk tune by Darmstadt's finest aka Budoka, and a Techno influenced piece by Spinor, the very third guest artist on the label. It also brings some changes: the releases on this label will not have whitelabel promo runs anymore but come into the shops directly as full artwork copies instead. Then, 3 weeks after the vinyl release, the tunes are made available digitally. Also, there will be no more tunes by the amex + Kaiza duo because amex kicked himself out. Finally, the future is about to see more tunes by guest artists on Tilt-Recordings

Spinor - "Moloch"
Located in the Netherlands, Spinor has earned respect in the world of Drum & Bass since 2004 with releases on Dreazz' Triple Vision labels Citrus, Love and Piruh, also he has put out a tune on Crossfire Recordings and on the netlabel T-FREE. Although Spinor is rather known for Neurofunk with deep, melodic pads and midranges, "Moloch" received a lot of respect in the Techno-DNB scene even before its release, even though Spinor is still a relatively new name to this sub genre of Drum & Bass. And now this monstertune has eventually found a proper home on Tilt-Recordings. The intro's dark atmosphere and driving beat make clear where the journey will go, and the powerful drop proves that there is just no alternative to high energy music. No need to say much more about "Moloch", it simply is a sure shot on the dancefloor.

Budoka - "Ritual"
This artist should be well known to people following the releases on Tilt-Recordings, since he was not only the first artist on this label but has also provided many of the tunes being released on it since T!LT001 in 2003/2004. Also supporting the new digital media, he has put out a series of 3 x 3-EPs on T-FREE in the summer of 2007 (including the remastered "Whiplash" original from 2001 and other gems) and another tune on the well respected .shadybrain imprint in November 2007 ("Under Water"). Now on TILT008, Budoka continues the good work he has done with his former releases: "Ritual" is a phat and juicy Neurofunk DJ-tool with a heavily pumping bassline, decent midrange arrangements woven around oriental strings and a breakdown which surprisingly opens a window to a far out universe full of dark secrets.

See also
http://www.myspace.com/spinor
http://www.myspace.com/tiltrecordings
http://www.myspace.com/budofiststyle